St. John's Episcopal, Oakland
While much of Bach’s music fell into obscurity after his death, his motets were the only works consistently performed before the “revival” o...
St. John's Episcopal, Oakland
St. John's Episcopal, Oakland
Continuing our exploration of Bach’s third cantata cycle (1725–28), we will explore two cantatas: Gott der Herr ist Sonn und Schild (BWV 79)...
St. John's Episcopal, Oakland
St. John's Episcopal, Oakland
As Thomaskantor in Leipzig, Bach was also heavily involved in civic life. Der zufriedengestellte Aeolus (The contented Aeolus; BWV 205) was ...
St. John's Episcopal, Oakland
St. John's Episcopal, Oakland
By Bach's time, extended Passion settings for Good Friday were a musical capstone to the liturgical year in Leipzig.
In what has become a BBC...
St. John's Episcopal, Oakland
St. John's Episcopal, Oakland
This session explores two post-Easter celebratory cantatas written during Bach's third cantata cycle (1725–28).
First performed in May 1726, ...
St. John's Episcopal, Oakland
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